Apoptygma Berzerk - Exit Popularity Contest

Apoptygma Berzerk - Exit Popularity Contest mp3 download flac

Performer: Apoptygma Berzerk
Genre: Electronic
Album: Exit Popularity Contest
Released: 2016
Style: Electro, Berlin-School, Experimental, Ambient

Free Download links

Mp3 zip archive download FLAC RAR archive download WMA Rar archive download
MP3 version ZIP size: 1448 mb
FLAC version RAR size: 1766 mb
WMA version ZIP size: 1312 mb
Rating: 4.8
Votes: 160
Other Formats: AU ADX DXD AUD VQF MP2 VOC

Tracklist

1 The Genesis 6 Experiment 9:12
2 Hegelian Dialectic 4:16
3 For Now We See Through A Glass, Darkly 8:30
4 Stille Når Gruppe 5:38
5 In A World Of Locked Rooms 8:56
6 The Cosmic Chess Match 7:35
7 U.T.E.O.T.W. (Instrumental) 6:56
8 The Devil Pays In Counterfeit Money 7:16
9 Rhein Klang 7:03
10 U.T.E.O.T.W. (Extended Version) 9:08

Companies, etc.

  • Phonographic Copyright (p) – Hard:drive
  • Copyright (c) – Hard:drive
  • Licensed To – Mrs. Green Records
  • Published By – Deadmanmoving
  • Recorded At – Pitch Black Drive
  • Made By – Arvato – 56427226
  • Distributed By – Rough Trade Distribution

Credits

  • Arranged By – John Costello (tracks: 7), Stephan Groth (tracks: 7)
  • Art Direction, Concept By – HAL*, ♠TP*
  • Cover, Design, Photography By [Photomicrography] – halvorbodin.com*
  • Liner Notes – John Costello
  • Management – Celsius Management
  • Mastered By – Koltron
  • Mixed By – Ole-Espen Kristiansen (tracks: 1, 7 , 9, 10), Stephan Groth (tracks: 1, 7, 9, 10)
  • Other [String Machines], Harmony Vocals – Jonas Groth (tracks: 10)
  • Photography By [♠TP Photos] – Tarjei Krogh
  • Recorded By, Producer – Emil Nikolaisen (tracks: 9), Stephan Groth (tracks: 2 to 6, 8), Stephan Groth (tracks: 9)
  • Sound Designer, Edited By – Willi Dammeier (tracks: 9)
  • Written-By – Emil Nikolaisen (tracks: 9), Stephan Groth (tracks: 1 to 8, 10), Stephan Groth (tracks: 9)

Notes

Collection of the rare and limited EPs: Stop Feeding The Beast, Videodrome, and Xenogenesis
Includes two exclusive tracks, as well as an exclusive version of UTEOTW (not the same as the 7" version)
Stickered jewel case with spare sticker included.

Barcode and Other Identifiers

  • Barcode (Text): 4 260497 330134
  • Matrix / Runout: arvato 56427226/GRE013 21
  • Mastering SID Code: IFPI LB 45
  • Mould SID Code: IFPI 0717
  • Label Code: LC 25504

Other versions

Category Artist Title (Format) Label Category Country Year
TE725-2 Apoptygma Berzerk Exit Popularity Contest ‎(CD, Comp) The End Records TE725-2 US 2016
TE-725-4 Apoptygma Berzerk Exit Popularity Contest ‎(Cass, Comp, Ltd) The End Records TE-725-4 US 2016
GRE013LP Apoptygma Berzerk Exit Popularity Contest ‎(2xLP, Comp) Mrs. Green Records GRE013LP Europe 2016
Video:

Comments:
Mr.Bean
Exit Popularity ContestThe title says it all. This album is a statement, saying that Stephan is done with the "pop star" phase of his career. And in a way, that's probably the best thing about this album, which itself is a compilation of 3 previous released EP's that were exclusively released on vinyl in limited editions.If you expect anything like previous iterations from Groth, you'll probably be majorly disappointed. There are no vocals, no hooks, in fact I would say there are no "hits" on this album at all. But that's not the Groth that's playing here. The Groth playing here is unrestrained, free from the classic songwriting formulas, playing with nothing but riffs and themes that feel solid and extremely catchy, but never do you feel like you are listening to a classic Apop record. Where in older albums stuff like this may have been explored to a lesser degree, here his sonic experimentation and knack for oldschool synthesizers reaches its full potential and it's absolutely amazing to listen to. If you are reminded of classic champions like Kraftwerk, Jarre, Vangelis, Klaus Schulze, Tangerine Dream and Neu! you won't be mistaken, the album contains numerous intentional references to these timeless pillars of electronic music.And that's how the music ends up feeling, timeless. While it's all made with intentionally old analogue synthesizers and has that late 70's sound to it, there is an unmistakeable timeless feel to the music. It sounds out of time, a pure product of Groth's mind and part of his sonic universe. This might not be the most accessible Apop album, and I doubt it's going to sell the most copies.But there is a saying I like. A great artist never gives people what they want, he gives them what they need.In a world where digital downloads have become the norm, and music has become consumed like fast food, Groth is here to remind us that music is not just entertainment or something you put on your iPod to listen to while you work or party, it can be art, it can be something more meaningful and even music that has not a single lyric can touch you in ways you never expected. And a record can be more than just a medium for music, it itself can be a rare piece of art that, you have to take care of, you have to be careful with, and you have to give proper love and attention because it can't just be put on your iPod for quick consumption, you have to give it time.Though that being said, having the songs on CD is a great way to experience these amazing tracks without a record player. I highly recommend picking it up if you're a fan of late 70's electronic music and krautrock.Exit Popularity Contest might be a bit of a time machine album, taking us back to "better times" in music, but it also is the kind of album we desperately need these days, so it feels very much like a reaction to the current state of things. And there is a lot of soul and passion here and a definitive "mission" behind the music that I've never felt before with Apop.

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