El Último De La Fila - La Rebelión De Los Hombres Rana

El Último De La Fila - La Rebelión De Los Hombres Rana mp3 download flac

Performer: El Último De La Fila
Genre: Rock
Album: La Rebelión De Los Hombres Rana
Released: 1995
Style: Folk Rock, Pop Rock

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MP3 version ZIP size: 1248 mb
FLAC version RAR size: 1516 mb
WMA version ZIP size: 1727 mb
Rating: 4.3
Votes: 418
Other Formats: MP1 MMF RA MIDI VQF RA WMA

Tracklist

1 ¡Qué Bien Huelen Los Pinos! 4:27
2 Las Hojas Que Ríen 5:13
3 Vestido De Hombre Rana 3:16
4 El Bombero Del Atardecer 4:42
5 Sin Llaves 3:34
6 Pedir Tu Mano 2:54
7 Bailarás Como Un Indio 4:09
8 Dímelo Tú 4:06
9 A Medio Soñar 3:43
10 Uva De La Vieja Parra 3:46
11 Illetes 4:03

Companies, etc.

  • Manufactured By – EMI-Odeon, S.A.
  • Distributed By – EMI-Odeon, S.A.
  • Pressed By – EMI Uden

Credits

  • Acoustic Guitar – Pedro Javier González (tracks: 1, 2)
  • Backing Vocals – Juan Carlos García, Manolo García, Nacho Lesko
  • Bass – Antonio Fidel, Quimi Portet
  • Drums – Juan Carlos García
  • Executive Producer – Anna Carrascal, Carmen Arteaga, Carmen García, Francesc Alemany, Montserrat Nogués
  • Guitar – Josep Lluis Pérez (tracks: 2), Quimi Portet
  • Keyboards, Programmed By – Quimi Portet
  • Lyrics By – Manolo García, Quimi Portet
  • Mastered By – Stephen Marcussen
  • Mixed By – David Tickle, Quimi Portet
  • Mixed By [Assistant] – Jordi Solé*
  • Organ, Accordion – Nacho Lesko
  • Percussion – Enric Canada, Juan Carlos García, Manolo García, Nacho Lesko
  • Producer – Quimi Portet
  • Vocals – Manolo García
  • Written-By – M. García* (tracks: 2, 4, 5, 7, 8, 10), Q. Portet* (tracks: 1, 3, 6, 9)

Notes

℗ Grabación sonora original realizada por Editorial Can, S.L., Barcelona, España, 1995.
℗ Publicado con licencia exclusiva del propirtario por EMI - Odéon, S.A., Madrid, España, 1995.
Editado por Perro Records. Fabricado y distribuido por EMI - Odéon, S.A.
© De la presente edición Editorial Can, S.L, Barcelona, España, 1995.
Made in Holland
Printed in Holland

Barcode and Other Identifiers

  • Barcode: 7 24383 55532 1
  • Mastering SID Code (Variant 1): IFPI L292
  • Mastering SID Code (Variant 2): IFPI L046
  • Mould SID Code (Variant 1): ifpi 1538
  • Mould SID Code (Variant 2): ifpi 151A
  • Matrix / Runout (Variant 1): EMI 8355532 01 1-1-22-NL
  • Matrix / Runout (Variant 2): EMI UDEN 8355532 @2 2-1-17-NL
  • Rights Society: BIEM/SGAE
  • Other (Dep. legal): M-25704-1995

Other versions

Category Artist Title (Format) Label Category Country Year
260 7243 8 35553 4 5 El Último De La Fila La Rebelión De Los Hombres Rana ‎(Cass, Album) Chrysalis, Perro Records 260 7243 8 35553 4 5 Spain 1995
FE 02.0500 El Último De La Fila La Rebelión De Los Hombres Rana ‎(Cass, Album) EMI Ltd. FE 02.0500 Peru 1995
50999 6 065731 2 El Último De La Fila La Rebelión De Los Hombres Rana ‎(LP, Album, RE) Chrysalis 50999 6 065731 2 Spain 2009
2 65099 2, 50999 2 65099 2 1 El Último De La Fila La Rebelión De Los Hombres Rana ‎(CD, Album, RM, Dig) Perro Records, EMI, EMI 2 65099 2, 50999 2 65099 2 1 Spain 2008
08256 4 63339 1 2, 4 63339 1 El Último De La Fila La Rebelión De Los Hombres Rana ‎(CD, Album, RE, RM) Parlophone, Perro Records 08256 4 63339 1 2, 4 63339 1 Spain 2014
Comments:
Fog
It is so rare to review a famous 80's spanish group in a site that is dedicated, mainly, to electronic rhythms that I can't help doing so: El Último De La Fila was a group who blended arabic touches with pop and certain flamenco attitude (in the voice of Manolo García). They also had very funny and sometimes obscure metaphores in their lyrics.This is their last album, misanderstood, not very praised, and, in my opinion, their most interesting, because they did blend well their pop music with current trends, and that is not very usual: other spanish (super)groups tried to follow them with production techniques that only consisted in boring atmospherics, but here this group adventure themselves into other foreign territories, very unknown in the popular music of this country. Though the first three songs sound like typical 90's productions (some echoes, synths, spanish guitars, overdubbed and subdued voices), the fourth one, "El bombero del atardecer" mixes trip-hop and shoegazing into their rhymes, "Sin llaves" sounds surprisingly country, "Pedir tu mano" sounds like a Michael Brook production, and "bailarás como un indio" thankfully introduces variation in rhythms. The rest of the songs flow in all those directions, and it's a pity if you can't understand the lyrics, full of mythology, funny images ("I will discover bronze and the rest of metals, I will gladly go to the hell itself to ask for your hand"), nature and impreditability. Nothing out of the ordinary (outside mainstream music in Spain), just a well crafted album that is among their best ones (I only consider the magical "Como la cabeza al sombrero" as a better one), which sometimes reaches many musical points at the same time loading tons of emotion into the listener.

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