Hauschka & Hildur Guðnadóttir - Pan Tone

Hauschka & Hildur Guðnadóttir - Pan Tone mp3 download flac

Performer: Hauschka
Genre: Electronic, Classical
Album: Pan Tone
Released: 2011
Style: Modern Classical, Contemporary

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MP3 version ZIP size: 1822 mb
FLAC version RAR size: 1125 mb
WMA version ZIP size: 1280 mb
Rating: 4.7
Votes: 907
Other Formats: ASF FLAC DTS AC3 MP1 MPC DMF

Tracklist

1 #283 5:35
2 #294 6:55
3 Black 6 7:24
4 #304 6:09
5 #320 8:45
6 Cool Gray 1 7:29

Companies, etc.

  • Mastered At – Durton Studio
  • Manufactured By – Handle With Care

Credits

  • Cover [Handmade] – Monique Recknagel
  • Engineer [Audio] – Dave Wells
  • Illustration – Rosie Roberts
  • Layout – Torsten Posselt
  • Mastered By – Nils Frahm
  • Music By – Hildur Guðnadóttir, Volker Bertelmann

Notes

Performed on 26th February 2010 as part of Arctic Circle - Bubbly Blue and Green four-day festival at Kings Place, London.

Limited edition of 450 hand-numbered copies.
Packaged in handmade, embossed, hardbound book style cover with folded insert.

Barcode and Other Identifiers

  • Matrix / Runout: SONICPIECES012 AB44755-01
  • Mastering SID Code: IFPI L573
  • Mould SID Code: IFPI 9710

Other versions

Category Artist Title (Format) Label Category Country Year
sonicpieces 012 Hauschka & Hildur Guðnadóttir Hauschka & Hildur Guðnadóttir - Pan Tone ‎(LP, Album, Ltd) Sonic Pieces sonicpieces 012 Germany 2011
sonicpieces 012 Hauschka & Hildur Guðnadóttir Hauschka & Hildur Guðnadóttir - Pan Tone ‎(CD, Album, Ltd, 2nd) Sonic Pieces sonicpieces 012 Germany 2011
sonicpieces012 Hauschka & Hildur Guðnadóttir Hauschka & Hildur Guðnadóttir - Pan Tone ‎(CD, Promo) Sonic Pieces sonicpieces012 Germany 2011
Video:

Comments:
adventure time
I don’t know where Volker Bertelmann finds the time to compose, collaborate and tour the world with his music, but in 2011 he managed to release three full length LPs and even a 10? EP, titled Youyoume, on Serein under his moniker, Hauschka. First there was Salon Des Amateurs, a neo-classical take on dance music with two percussion instruments – piano and drums – plus strings and even a trombone. Collaborating with Rosilene Luduvico, he also recorded Unbestimmt for Apparent Extent label, which later got packaged in a Schwerte Box Set. And now we find Bertelmann working with one of my favorite cellists from Touch label, Hildur Guðnadóttir, on the album featured in this review, Pan Tone. I’m also very delighted to see these two wonderful musicians producing a record for a Berlin based Sonic Pieces label – home to many of my favorite modern classical musicians, like Dustin O’Halloran, Greg Haines, Nils Frahm and many others…For Pan Tone, Bertelmann takes his skills at preparing the piano even further. I can almost see him scratching and brushing at the strings, plucking them with resonant hooks, and processing the output through a set of carefully crafted effects. Guðnadóttir, meanwhile, dwells deeper into experimentation with her emotional cello, at times escalating into tension, at times plunging in despair. Together the duo sculpt sonic compositions based on the colors of the waters, from “Black 6? to “Cool Gray 1?, matching the names of printing inks with the sound of the ocean. On the album, the white frothy waves of Hauschka’s hammering piano are contrasted with the abysmal darkness of Guðnadóttir’s bowed strings. The two meet in the middle, where the blues sparkle in the sun, and grace the limited edition handmade textile packaging of the album.The album ends with a ray of sunlight falling through the dark clouds onto the stormy waters, which first violently crash, then slowly recede and finally melt into a perfect calm. This document of a performance between these two amazing artist is hopefully only a taste of all the great things to come. Just imagine them working on a studio album! Highly recommended for fans of modern classical and cinematic music. Pan Tone has been featured on Headphone Commutes Best of 2011 : Music For Watching The Snow Slowly Fall In The Moonlight. Grab this record, above mentioned releases by Hauschka, and Guðnadóttir’s magnum opus, Without Sinking (Touch, 2009) and Mount A (Touch, 2010).

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