The sound of David Holmes finds its origin in the work of classic film composers such as Lalo Schifrin, John Barry and Ennio Morricone, but also in raw jazz, funk, soul and blues, which is made in the heyday of the LSD. Its versatility is evidenced by the wide variety of artists, for which he received the production or the remixes, such as Fila Brazillia, Kruder Dorfmeister &, Manic Street Preachers, Primal Scream, Red Snapper, Jon Spencer Blues Band and Therapy?. In addition, he gets a lot of requests lately from Hollywood to soundtracks to compose as he has done for Out Of Sight and ocean's Eleven. Completely sick of the ease with which most compilation CDs, Holmes decided to do it his way. On Come Get It I Got It, he tells his story by making a small twenty gems from his extensive vinyl collection, select it and this to ' verelektroniseren ' through overdubs. Under the name The Free Association, he composed the connecting pieces to the whole even smoother. Come Get It I Got It offers except in deeper insight into Holmes ' spirit also an insanely listening adventure.