Grizzly Bear - Painted Ruins mp3 download flac

Rock

Performer: Grizzly Bear
Genre: Rock
Album: Painted Ruins
Released: 2017
Style: Indie Rock

Free Download links

Tracklist

Companies, etc.

• Phonographic Copyright (p) – Grizzly Bear Music, LLC
• Copyright (c) – Grizzly Bear Music, LLC
• Licensed To – RCA Records
• Record Company – Sony Music Entertainment
• Marketed By – Sony Music Entertainment
• Distributed By – Sony Music Entertainment
• Recorded At – Allaire Studios
• Recorded At – Vox Recording Studios
• Recorded At – Terrible Studios
• Mixed At – Eastwest Studios
• Published By – Doomed Beauty Music
• Mastered At – Sterling Sound
• Manufactured By – Pallas USA
• Pressed By – Schallplattenfabrik Pallas GmbH – 44932
• Pressed By – Schallplattenfabrik Pallas GmbH – 44933

Credits

• Booking [ROW Agent, Assisted By] – Claire Sliwerski
• Booking [ROW Agent, For] – Free Trade Agency
• Booking [ROW Agent] – James Alderman
• Booking [U.S. Agent, Assisted By] – Joe Wohlfeld
• Booking [U.S. Agent, For] – WME Entertainment*
• Booking [U.S. Agent] – Samantha Kirby Yoh
• Design, Art Direction – Ben Tousley*
• Drums, Percussion, Synth, Vocals, Drum Programming, Electric Piano [Wurlitzer], Pedal Steel Guitar – Christopher Bear*
• Legal – Rosemary Carroll
• Legal [Assisted By] – Elizabeth Paw
• Legal [For] – Carroll, Guido & Groffman, LLP
• Management – Ami Kay Spishock
• Management [Assisted By] – Jane E. Henderson
• Management [For] – Fort William Artist Management
• Mastered By – Unknown Artist
• Mastered By [Vinyl] – RJ*
• Mixed By – Chris Taylor , Shawn Everett
• Painting – Chyrum Lambert
• Producer – Chris Taylor
• Recorded By – Chris Taylor , Christopher Cerullo, Jake Aron, Michael Harris
• Songwriter, Performer – Grizzly Bear
• Vocals – Ed Droste*
• Vocals, Bass, Saxophone, Clarinet, Flute, Bass Harmonica, Synth, Drum Programming – Chris Taylor
• Vocals, Guitar, Piano, Synth, Organ, Cello – Daniel Rossen

Notes

Barcode and Other Identifiers

• Barcode (Scanned): 889854357917
• Barcode (Printed): 8 8985-43579-1 7
• Matrix / Runout (A-side runout): 88985-43579-1 SA RJ STERLING -44932- P. USA
• Matrix / Runout (B-side runout): 88985-43579-1 SB RJ STERLING -44932- P. USA
• Matrix / Runout (C-side runout): 88985-43579-1 SC RJ STERLING -44933- P. USA
• Matrix / Runout (D-side runout): 88985-43579-1 SD RJ STERLING -44933- P. USA
• Rights Society: BMI

Other versions

Kabei

I’m pretty disappointed in this pressing and after reviewing the comments, I see I’m not alone. There is no range and the album distorts at times. The beauty of this album is completely overshadowed with this pressing.

Ichalote

Okay. I was just reading all comments about this pressing and I have now some background to talk about it.My advice is: Change to a flat-sounding cartridge and check how better it sounds. Come on, is it still digital? Yes. But sounds much better.I used to play on my 1978 Shure M44G and exchanged to my Nagaoka MP-11. What a difference!Try it!

Rrd

it definitely suffers from a digital sourcing. it's loud; lacks a rich full dynamic and leaves the listener walking away with a veiled experience. is it fatiguing. no. would i have purchased knowing it was pressed from a digital source? no

Dibei

Just here to confirm for whoever missed the news that that this album was sourced digitally by the band before going to RCA. Yes, Painted Ruins is compressed to a noticeable level but I have heard way worse mixes from good bands (points to the very recent Trash Generator by Tera Melos). In an interview, Chris Taylor mentioned they recorded the entire record in their home-studios before bringing it to potential labels. While I can understand how this was a practical and cheaper method to make the album, I for one was a little let down when I learned this. Once I listened to the album, however, I realized the mix itself and mastering are very well done. Even for a digitally sourced record, the shimmering, calculated beauty of Grizzly Bear's sound can be heard especially if your setup can give extra life to the mix.

Taur

very nice pressing indeed! no crackle or pops or hiss or non fill issues. wish all modern vinyl would be pressed like this. album itself is very beautiful and - along with the new fleet foxes and war on drugs - my top 3 record of 2017 so far. only complain I have is the mastering: even on lp "painted ruins" sounds very loud and digital to me, missing details and dynamic range. I know most people these days listen to music via shitty equipment, but come on! a bit more audiophile would do no harm.

Dogrel

I didn't receive my vinyl yet but I'm really concerned since the digital source sounds VERY compressed to me. Any thoughts?

Androlhala

The Vinyl sounds amazing. Doesn't sounds overly compressed to me.

lolike

Fantastic pressing, but unfortunately the music was not recorded to tape like previous records and is very hot/loud. With this kind of loudness, details cannot be heard and is fatiguing to listen to all the way through. The Cd is bad too, but there is a 320 MP3 out there that is a tad less dynamic but proper.

Trash

Clean pressing, leaps and bounds beyond the norm these days.

Trash Obsession

Vinyl sounds pretty solid. For those who care: it also has been clean, free of defect and flat.

Mojar

Pre orders online come with 12x 12” Limited Edition Offset Lithograph

Cerana

Is the download MP3 only or are there options for WAV/lossless?

tamada

only mp3, sadly. wish more records would come with wav downloads, as they are aimed for the audiophile crowd anyhow.

Cyregaehus

how's pressing sound? Wonder if GB actually cared to do a good pressing on black vinyl after bashing colored vinyl.

Kazijora

GB bashed colored vinyl? I heard the gold shields press wasn't great, but I don't remember hearing anything about them being against colored pressings.

Elizabeth

my pressing sounds superb. flat, dynamic, silent, crackle- and pop free. wish all modern day vinyl would sound like this.

Nilador

Still trying to figure out what I think in terms of production and mastering. Fair to say it sounds as good as anything they've released on vinyl so far. In terms of pressing it's almost flawless. Just finished disc 1 and it was completely noise free!

I love Mercedes

Mine is arriving tomorrow, I will update once I listen to it. To be fair, the golden shields release got a lot of heat I just wish they hadn't turned away from special colored vinyl and tried a different manufacturer instead. Their past black presses sound really good, shields being the best sounding black first press imo so I have high expectations, even if it is their first release on RCA.