Gary Kail, Musique Concrète, Experimental, 1984, US

Gary Kail / Zurich 1916 - Creative Nihilism mp3 download flac

Electronic

Performer: Gary Kail
Genre: Electronic
Album: Creative Nihilism
Released: 1984
Style: Musique Concrète, Experimental

Free Download links

MP3 version ZIP size: 1821 mb
FLAC version RAR size: 1175 mb
WMA version ZIP size: 1672 mb

Rating: 4.3
Votes: 325
Other Formats: MP4 VOX AC3 MP2 DMF ADX AUD

Tracklist Hide Credits

A1	–Gary Kail	Media Saturation	18:10
A2	–Gary Kail	Shrapnel	7:30
A3	–Gary Kail	Transparent	4:12
B1	–Gary Kail	Life Is Ugly So Why Not Kill Yourself	7:15
B2	–Gary Kail	Interconnected Amplifier Feedback Loop Piece #2 Sections B&D	5:33
B3	–Gary Kail	153rd St. 1981 Segments 6&7	3:39
B4	–Gary Kail	Centering Part One	2:25
B5	–Gary Kail	Sonata For Flute And Piano	2:36
B6	–Gary Kail	Interconnected Amplifier Feedback Loop Piece #1	9:38
C1	–Zurich 1916	Imported Featuring – Jeff Charroux	5:30
C2	–Zurich 1916	Statues And Etiquette Vocals – Carla Noelle	1:33
C3	–Zurich 1916	Victim Of Affluence Featuring [Tape Collage] – Brad Laner	1:40
C4	–Zurich 1916	The Plastic Grapes Saxophone – Martin Tamburovich	3:12
C5	–Zurich 1916	Hallucinatory Insight Featuring – Gigi Fauquet	18:15
D1	–Zurich 1916	Sunday Mourning	2:20
D2	–Zurich 1916	Looking For A Home Featuring [Tape Collage] – Brad Laner	2:35
D3	–Zurich 1916	Unnecessary Emotional Response Percussion – Carla Noelle	7:19
D4	–Zurich 1916	Anti-Descriptive Titles Featuring [Tape Collage] – Brad Laner	3:15
D5	–Zurich 1916	Confusion At The Intersection Featuring [Tape Collage] – Brad LanerVocals – Gigi Fauquet	1:52
D6	–Zurich 1916	It's Been A (Part Two)	1:58
D7	–Zurich 1916	Improvisation Guitar, Bass, Vocals – Laura EdwardsVocals, Percussion – Sharon Edgington	3:13
D8	–Zurich 1916	Sleep Bass Guitar – Joey 8Featuring [Poem] – Anne Marie Arcos	7:47

Companies, etc.

Recorded At – New Underground Studio

Credits

Keyboards, Edited By, Recorded By – Danny Dean*

Notes

The first LP is Gary Kail solo, while the second is Gail Kail in collaboration with others.
Recorded 1979-1983 at the New Underground Recording Studio. Various Keyboards, splicing, editing and recording Danny Phillips AKA Danny Dean.

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