Robert Owens - Night-time Stories

Robert Owens - Night-time Stories mp3 download flac

Performer: Robert Owens
Genre: Electronic
Album: Night-time Stories
Released: 2007
Style: House, Deep House, Tech House

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MP3 version ZIP size: 1782 mb
FLAC version RAR size: 1245 mb
WMA version ZIP size: 1744 mb
Rating: 4.1
Votes: 699
Other Formats: AC3 APE FLAC DXD MP1 TTA RA

Tracklist Hide Credits

1 Intro 0:32
2 Inside My World
Producer – Jimpster
5:36
3 New World
Producer – Simbad
7:31
4 I'm Chained
Producer – Ian Pooley
6:12
5 Only Me
Producer – Kid Massive
7:35
6 Survive 0:56
7 Now I Know
Producer – Atjazz
6:08
8 Never Give Up
Producer – Charles Webster
4:52
9 Press On
Producer – Robert Owens
9:59
10 Back To You
Producer – Marc Romboy
7:29
11 Happiness 0:36
12 Happy
Producer – Wahoo
3:54
13 Merging
Producer – TJ Kong & Nuno Dos Santos
9:30
14 No Tomorrow
Producer – Kirk Degiorgio
6:30
15 Listen - Outro 0:28

Notes

Cardboard sleeve.

Other versions

Category Artist Title (Format) Label Category Country Year
COMPOST 285-2 Robert Owens Night-time Stories ‎(CD, Album, Dig) Compost Records COMPOST 285-2 Germany 2008
COMPOST 285-2, ПРЗ CD23164 Robert Owens Night-time Stories ‎(CD, Album, Dig) Compost Records, Правительство Звука COMPOST 285-2, ПРЗ CD23164 Russia 2008
Video:

Comments:
Kagda
It was nearly a dozen producer who’d worked and had created musical soundscapes for the album of the best male vocal’s ever characteristic voice in dance music industry. Jimpster puts bubbling deep-house onto the table. Ian Pooleys brings straight-up retro disco. Atjazz is pleasing with a creamy, down-beat alike track. Charles Webster operates with electro-pop elements. Whoo’s here with proper club-house, and the trancy, alternative piece of TJ Kong makes the picture even more colorful, yet the 77 minutes long album doesn’t really step out of house music’s halo; and this is quite interesting sometimes: one couldn’t place the predictable house songs paired with gentle, smooth and tricky vocal bends for the first time. Mind you, not everything need to be understandable for the first time. Perhaps, the sympathy for this way of approach is the reason how Robert Owens – just like Compost Records itself – keep being innovate.

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