While side A seems fine, side B suffers from noise reduction artefacts in the 'bridge' sections, which is exactly the same as Italian 2014 official reissue M & G - When I Let You Down. I guess the owners of master recording lost the original tape an came up with a different source quite compromised, what a pity for such a magnificent track. It's weird during remastering this came unnoticed, it may have been easy to fix by replacing such parts (or entire track) with a well done rip of the original vinyl.

exactly my opinion, too. and i would also agree with "95%", and spacer woman was not the only issue.. tony moore d.j. sounds terrible as well, compared to the original. i even made some masters for myself and gave them to a vinyl cutter, and received a far better result than most of the italo reissues / bootlegs .. seriously.disappointing times, as with the club "scene" and almost everything else. but i'm sure it will never end, the possibilities to copy/boot everything, from label to sleeve to record are endless... :-(

Agree. However i believe it's due Antibemusic, not Dark Entries. They asked to license the masters, and those were given by them, I noticed heavily "denoised" on their official (Antibemusic) official digital releases. I hoped that was limited to digital format. Shame D.E. didn't notice and complained instead of releasing the stuff "as is". For sure at least it's legit, some other reissues you refer to may be bootlegs, there are a lot around, and usually easy to notice as they clone original label/artwork with no reference of current licensors.

To be honest I'm done with reissues now.It seems that 95% are poorly pressed, recorded from lossy digital sources or straight up vinyl rips.Even the highly respected Dark Entries appears to be having more & more issues (see Spacer Woman).From now on, I'm just going to save up for originals.