This is an interesting album of electronic noise, sometimes very subtle, sometimes anything but! The tracks themselves are untitled, but are taken from (presumably) much longer works. The titles of these works are; "Egyptian Carburator Apple", "Smile A Snot Rainbow At Five Miles An Hour", "Seeding The Solid Water Boy", "Solar Oyster Throats, Raggedy Anne Vice Grip", "The Flat Bather", "Tongue Prophet Mini Opera", and "Was Detonator Amazed".The first side begins with sounds warping subtly into the arena. Metallic noises rise and fall and taped voices speak Surreal, Sci-Fi prose. The next track has a little more structure, with subtle use of sampling, sudden intrusion by 'found' tapes, and a boiling backdrop of electronics. Slithers of voice slide into echoing space and washes of delay feedback rise like waves in sea of gas. The third track is far more constructed than the previous two, with a strict drum tempo, but mixed far back into the thick morass of synth detritus that it is a mere hint of tempo. It's a dense, far from subtle thing which can be neatly put into the category 'Chaos'. The next track again holds structure and tempo, suggesting the Orient with it's koto-like sounds over which an umbrella of ethereal sound stretches. Very nice to listen to with equal measures of warm waves and sharp sounds. The next track shows, for the first time, that SENSITIV are capable of music, for this as a decidedly Jazzy feel, like something you might come across on the RECOMMENDED label - a heavy and diverse drum pattern which builds up, ebbs away, then builds again while guitar and synths scamper spider-like over the top. The track which follows this is another of their non-beat things, with a plethora of noises, rising and falling - there are metal sounds, sitar, and all manner of synthetics. It reminds me a little of UN DRAME MUSICAL INSTANTANE, although I'm not too familiar with their works. It grows and shrinks metamorphosising into something slightly more structured. The bass sounds on this damn near ripped my speakers out - it would sound great through a cinema sound system!!Side two opens to a drifting flow of sounds, some synths, some nearly out-of-control feedback. It gradually grows in waves of sonic colour, punctuated by the occasional twist of electric guitar. It manages to both grate against you and relax you at the same time. It's a long and flowing track full of the paradoxical blend of calm and disturbing sounds which are clearly characteristic of SENSITIV. The second track blends in, sounding direct-injected - a short snatch of noises clashing against one another. The third track is again a structured piece and is perhaps the most 'together' track or the whole album - the structure itself sounds quite conventional, but is washed into the background by the huge miasma of noise which rises high above it in the mix. The fourth track groans through the speakers like souls in eternal torment, human voice speaking in phases, incantations, invocation, none of it clearly discernable. This piece, almost entirely vocal, meanders on visited only occasionally by feedback. An album with many interesting moments which you find yourself turning over and listening to again and again (or at least I do!). Not faultless, but certainly worth investing in. I for one look forward to more of their releases.Originally reviewed for Soft Watch.