The original album this collection purports to be based on, as simple as it might appear to the first-time listener, is actually rich in colour tones which just beg to be adapted, adopted, expanded & expounded. These remixes fall into two distinct categories - ones using the original material, mutated & twisted into new forms & colours; and ones where little of the original sound has been used, tracks being built up over what remains. In many ways the tracks which divert radically from the source material are the most interesting - SCORN for instance build archetypal drum patterns underlined by ponderous bass over which the generated tones roll & crawl in perfect symbiosis; EYELESS IN GAZA thrashing out their angry disturbed-Hornet's-nest sound against a throbbing background; Ø inject a JOHN CARPENTER circa "The Thing" atmosphere to the sound in a slowed-down PANASONIC way, while JAMES PLOTKIN portrays a dark throbbing atmosphere of distant locomotive echoing across unspoilt valleys of soft velvet; SOLARIS choose a simple but effective echoing discrete rhythmic journey through the hums and throbs while BLOOD FROM THE SOUL concludes the album with what is probably the most interesting piece here - a track akin to the COIL soundtrack for "Hellraiser" - twisted orchestrated works which cycle and repeat, gradually transforming as it maintains the creepy atmosphere. The other part of the collection more or less keeps the theme of the original "Inscape" album with drifting, roiling, growling multi-layers of noise swelling and fading. Certainly such people as COIL & :ZOVIET FRANCE: adapt these tones to their own idiom, with the likes of SCALPEL following suit in dark moaning waves and diaphanous swells. An interesting collection which sits well together despite the stylistic variations. Well worth seeking out if you're into the dark and surreal side of instrumental music. Originally reviewed for Soft Watch.