All in Good Time was produced by Clayton Ivey at his Wishbone Studios in Muscle Shoals, indicating Kay was taking a crack at a bit different sound -- one which certainly had a better chance at radio play in 1978 than Steppenwolf's hard rock. It's worth remembering that Kay's previous solo LPs were also different from Steppenwolf, and the band's previous album (1973's My Sportin' Life) had some pretty strong pop leanings. In context, the progression to a full-on modern rock-soul sound does make sense, as unexpected as it may seem at first listen.