Eminem - Curtain Call - The Hits mp3 download flac

Hip hop

Performer: Eminem
Genre: Hip hop
Album: Curtain Call - The Hits
Released: 2005
Style: Gangsta, Pop Rap

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Companies, etc.

• Made By – EDC, Germany – 51680163
• Record Company – UMG Recordings, Inc.
• Phonographic Copyright (p) – Aftermath Entertainment
• Copyright (c) – Aftermath Entertainment
• Phonographic Copyright (p) – Interscope Records
• Copyright (c) – Interscope Records
• Phonographic Copyright (p) – National Academy Of Recording Arts & Sciences, Inc.
• Published By – Shroom Shady Music
• Published By – Resto World Music
• Published By – Dirty Steve's Music
• Published By – Eight Mile Style
• Published By – Ensign Music Corp.
• Published By – WB Music Corp.
• Published By – Ain't Nuthin' Goin' On But Fu-kin'
• Published By – Chrysalis Music
• Published By – Warner Chappell Music Ltd.
• Published By – Champion Music
• Published By – Nate Dogg Music
• Published By – Daskel, LLC
• Published By – Sony/ATV Songs LLC
• Published By – Satisfaction Fulfilled Ltd.
• Published By – Buffalo Music Ltd
• Published By – Unforgettable Songs Ltd.
• Published By – Jaceff Music
• Published By – Tika Tunes
• Published By – Famous Music Corporation
• Published By – Elvismambo Music
• Published By – Music Of Windswept
• Published By – Five Card Music
• Published By – Bug Music
• Published By – Strawberry Blonde Music
• Published By – Nueve Music
• Published By – EMI Music
• Published By – Blotter Music
• Published By – Bat Future Music
• Published By – Jenellerene
• Published By – Hard Workin' Black Folks Publishing
• Published By – Jobete Music Co., Inc.
• Published By – Stone Diamond Music Corp.
• Published By – Bust-It Publishing
• Published By – Martin Affiliated Music
• Published By – Nuez Music
• Recorded At – 54 Sound
• Recorded At – Marshall's House
• Recorded At – TransContinental Studios
• Mixed At – 54 Sound
• Mixed At – Larrabee West
• Mixed At – Record One, Los Angeles
• Mastered At – Bernie Grundman Mastering

Credits

• A&R [Interscope] – Marcus Heisser
• A&R [Shady Records] – Marc LaBelle , Tracy McNew
• Art Direction, Design – SLANG Inc.*
• Booking [Booking (Europe)] – Helter Skelter Agency Ltd.*, Steve Strange
• Booking [Booking (US)] – Cara Lewis, William Morris Agency
• Coordinator [Aftermath Project] – Kirdis Postelle, Larry Chatman
• Coordinator [Interscope Production] – Les Scurry
• Coordinator [Studio Coordinator For 54 Sound] – Lindsay Collins, Sarah Catlett
• Executive-Producer – Eminem
• Legal [Aftermath Legal] – Peter Paterno
• Legal [Eminem & Shady Records Legal] – Gary Stiffleman*, Theo Sedlmayr Esq.*, Sedlmayr And Associates, LLP*, Ziffren, Brittenham, Branca, Fischer, Gilbert-Lurie and Stiffelman & Cook LLP*
• Management [Eminem] – Goliath Artists Inc.*, Paul Rosenberg Esq.*
• Management [F.B.T. Production] – Joel Martin
• Management [Interscope Creative] – Nicole Frantz
• Management [Interscope New Media] – Andrew Mains
• Management [Interscope Video Promotions] – David Saslow, Randy Sosin
• Mastered By – Brian "Big Bass" Gardner*
• Photography By – Anthony Mandler, Idols , Jonathan Mannion, Karin Catt, Nitin Vadukul
• Product Manager [Interscope Marketing Director] – Chris Clancy
• Public Relations [Interscope Publicity] – Dennis Dennehy

Notes

Barcode and Other Identifiers

• Barcode (Text): 6 02498 87893 4
• Barcode (String): 602498878934
• Label Code: LC06406
• Rights Society: BIEM/SABAM
• Mastering SID Code (Variant 1): IFPI LV26
• Mould SID Code (Variant 1): IFPI 01W9
• Matrix / Runout (Variant 1): 06024 988 789-3 01 * 51680163
• Matrix / Runout (CD Mould Text Variant 1): Made in Germany by EDC Z
• Mastering SID Code (Variant 2): IFPI LV26
• Matrix / Runout (Variant 2): 06024 988 789-3 03 * 51680163
• Matrix / Runout (Variant 2): UNIVERSAL Logo x4
• Matrix / Runout (CD Mould Text Variant 2): MADE IN GERMANY BY EDC F
• Mastering SID Code (Variant 3): IFPI LV26
• Matrix / Runout (Variant 3): 06024 988 789-3 03 * 51680163
• Matrix / Runout (Variant 3): UNIVERSAL Logo x4
• Matrix / Runout (CD Mould Text Variant 3): MADE IN GERMANY BY EDC D
• Mastering SID Code (Variant 4): IFPI LV26
• Mould SID Code (Variant 4): IFPI 0136
• Matrix / Runout (Variant 4): 06024 988 789-3 01 * 51680163
• Matrix / Runout (Variant 4): UNIVERSAL Logo x4
• Matrix / Runout (CD Mould Text Variant 4): Made in Germany by EDC B
• Mastering SID Code (Variant 5): IFPI LV26
• Mould SID Code (Variant 5): IFPI 0115
• Matrix / Runout (Variant 5): 06024 988 789-3 02 * 51680163
• Matrix / Runout (Variant 5): UNIVERSAL Logo x4
• Matrix / Runout (CD Mould Text Variant 5): Made in Germany by EDC H
• Matrix / Runout (Variant 6): 06024 988 789-3 03 * 51680163
• Matrix / Runout ( Logo x4 Variant 6): UNIVERSAL
• Matrix / Runout (Variant 6): MADE IN GERMANY BY EDC AB
• Mastering SID Code (Variant 6): IFPI LV26
• Mould SID Code (Variant 6): IFPI 0131
• Matrix / Runout (Variant 7): 06024 988 789-3 01 * 51680163
• Matrix / Runout (Logo x4 Variant 7): UNIVERSAL
• Matrix / Runout (Variant 7): MADE IN GERMANY BY EDC T
• Mastering SID Code (Variant 7): IFPI LV26
• Mould SID Code (Variant 7): IFPI 0123

Other versions

Agamaginn

(Quick Review #21)Listen: (N/A)I decided that since I just did a big ass review on Encore I might as well review this. I'm only going to be talking about the original songs. The other songs are just basically the most popular singles off of the 4 em albums before this and Lose Yourself. Not a collection of his best songs, if it were that we would have Criminal, Kill You, Drug Ballad.... just noticed all of those are on MMLP :p. But yea, these are still all fine songs, I even think Just Lose It is fine, though it's definantly the worst non-original song off of the album. So onto the original songsIntro- Whatever it's an intro. It goes into (god save us) Fack. He does the same thing he did on D12s My Band where he does the whole boy bandy eminem thing and whatever, this on its own is fine. Just an introFack- The worst song in Eminem's lineup. It's just like everything bad with the worst songs on Encore everything put together, without the whole concept of Encore to put it on. It feels like it was a cut song from Encore- and when you get cut from Encore that is bad. It is almost so bad it's good, but just misses that. It can be fun just to see how terrible it is, but it's still trash. Shake That- Eminem at this point in time didn't really jump on to any trends in his music- he set the trends. This is the first song where he REALLY follows a trend. Its just a shitty club song that sounds dated as shit thats only saving grace is the Nate Dogg vocals, which sound just like Nate Dogg always does.When I'm Gone- It's a mixed bag. On one hand its a great song, on the other hand he's done this how many times now? Too many. The first time I heard this song I thought it was amazing. Then I listened to all of his albums, this song just marks too many Halie songs all about the same shit. Its a good song he's just done it before.I wouldn't say this is an original song but just because why notStan (Elton John)- Stan is a classic song. It's one of the best songs off of one of the best albums in rap ever. Elton John does an even better job on the hook than Dido did. But it's just the live performance from the grammy's with the audience noise taken out. That means it has all of the profanity taken out. If they added back in the profanity and did a studio cut for this it would be amazing and the best version of this song potentially. But as it is, it feels unneccisary since Stan is already on this album anyway.So overall the original songs on here are pretty wack, but in different ways. Fack is just the worst song in his career, Shake That is just a stupid song meant to get played in clubs, and When I'm Gone is just a retread of ground we've been through before.(ORIGINAL SONGS ONLY) Light to Decent 4