The main track starts off with a driving bassline and bursts of white noise while the kick takes comfort in the mid range era. Once the claps are in, it sounds like something that could have been released on Len Fakis Figures imprint. It's an engaging track, building up to drop and peak just to start it all over again. While well executed, the purpose is all to clear for my taste and I doubt that it will age well.B2 is on the same tip but does a far more better job. The bassline and the offbeat hats keep the tension up, but the path taken is less obvious and the result way more hypnotizing. The bassline gets modulated over time and sound echoes get faded in, the production is less clear than on the main track and gladly there are no claps or white noise hisses. Well done track.The flip side has no such white noise outbursts as the title track has but a constant level of background noise. The bassdrum is bold and underlayed with grim subbass that makes your head nod and the ground tremble once the beat drops. A lonely saw tone gets modulated over time, moving around while hi hats come and go and keep the listener immersed and the pace up. A nice subtle build up overall and nice production as well, this is not designed to peak like the title track and thus making everything right again, I wouldn't be surprised if some work by Marcel Dettman was the inspiration for this.What's left on the other track is a bit cleaner production-wise with a driving offbeat rhyhtm layered over atmospheric background noises and a headspinning synth line. Again well executed, the only flaw here is that it is a tad to short.