Joni Mitchell - The Hissing Of Summer Lawns

Joni Mitchell - The Hissing Of Summer Lawns mp3 download flac

Performer: Joni Mitchell
Genre: Jazz, Rock, Folk, World, & Country
Album: The Hissing Of Summer Lawns
Released: 1975
Style: Acoustic, Fusion, Contemporary Jazz

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MP3 version ZIP size: 1117 mb
FLAC version RAR size: 1486 mb
WMA version ZIP size: 1694 mb
Rating: 4.2
Votes: 563
Other Formats: RA MMF MIDI MP4 DXD APE VQF

Tracklist Hide Credits

A1 In France They Kiss On Main Street
Acoustic Guitar – Joni MitchellBacking Vocals [Background Voices] – D. Crosby*, G. Nash*, J. Taylor*, Joni MitchellBass – Max BennettDrums – John GuerinElectric Guitar – Jeff Baxter, Robben FordElectric Piano – Victor FeldmanWritten-By, Composed By – Joni Mitchell
A2 The Jungle Line
Percussion – The Warrior Drums Of BurundiSynthesizer [Moog], Acoustic Guitar – Joni MitchellWritten-By, Composed By – Joni Mitchell
A3 Edith And The Kingpin
Acoustic Guitar – Joni MitchellBass – Wilton FelderDrums – John GuerinElectric Guitar – Larry CarltonElectric Piano – Joe SampleHorn – Chuck FindleySaxophone, Flute – Bud ShankWritten-By, Composed By – Joni Mitchell
A4 Don't Interrupt The Sorrow
Acoustic Guitar – Joni MitchellBass – Wilton FelderCongas – Victor FeldmanDobro – Robben FordDrums – John GuerinElectric Guitar – Larry CarltonWritten-By, Composed By – Joni Mitchell
A5 Shades Of Scarlet Conquering
Arranged By [String Arrangement] – Dale OehlerBass – Max BennettDrums – John GuerinElectric Guitar – Larry CarltonElectric Piano, Vibraphone [Vibes] – Victor FeldmanPiano – Joni MitchellWritten-By, Composed By – Joni Mitchell
B1 The Hissing Of Summer Lawns
Arranged By [Arrangements], Drums, Synthesizer [Moog] – John GuerinBass – Max BennettGuitar – James Taylor Keyboards, Percussion – Victor FeldmanSaxophone, Flute – Bud ShankTrumpet – Chuck FindleyWritten-By, Composed By – John Guerin, Joni Mitchell
B2 The Boho Dance
Bass – Max BennettBass Flute – Bud ShankDrums – John GuerinFlugelhorn – Chuck FindleyKeyboards – Joni MitchellWritten-By, Composed By – Joni Mitchell
B3.a Harry's House
Bass – Max BennettDrums – John GuerinGuitar – Robben FordKeyboards – Joe SampleTrumpet – Chuck FindleyWritten-By, Composed By – Joni Mitchell
B3.b Centerpiece
Bass – Max BennettDrums – John GuerinGuitar – Robben FordKeyboards – Joe SampleTrumpet – Chuck FindleyWritten-By, Composed By – Johnny Mandel, Jon Hendricks
B4 Sweet Bird
Electric Guitar – Larry CarltonPiano, Acoustic Guitar – Joni MitchellWritten-By, Composed By – Joni Mitchell
B5 Shadows And Light
Keyboards [Arp-Farfisa], Voice – Joni MitchellWritten-By, Composed By – Joni Mitchell

Notes

This very first UK issue comes in an embossed gatefold sleeve made in U.S.A. and a factory sticker with the UK catalogue number (SYLA 8763) on rear, placed over the printed US one (7E-1051), which is still visible on the spine.

This seems to be a corrected version of the first UK issue with the embossed USA made sleeve, no sticker over the US cat no and Scarlet corrected to one 't'. Different run out info as well.

The record is the same as The Hissing Of Summer Lawns, which was issued with an UK sleeve as soon as Garrod & Lofthouse provided them.

Track A1 is spelled “In France They Kiss On Mainstreet” on rear sleeve, “In France They Kiss On Main Street” on the inside of the gatefold and on label.
Track A5 is spelled “Shades Of Scarlett Conquering” both on rear and inside sleeve, “Shades Of Scarlet Conquering” on label.

[Sleeve]
℗ & © 1975 Elektra/Asylum/Nonesuch Records, 962 North La Cinega Boulevard, Los Angeles, California 90069 · A division of Warner Communications Inc. Ⓦ
All songs © 1975 Crazy Crow Music BMI except “Centerpiece” published by Caphryl Music ASCAP ©1958 and "The Hissing Of Summer Lawns" published by Crazy Crow Music BMI and Mad Man's Drum Music ASCAP.

[Labels]
℗ 1975 Elektra/Asylum Records
Warner Bros, Music Ltd.
“Centerpiece”: Carlin Music Corp.

Barcode and Other Identifiers

  • Matrix / Runout (Side 1): SYLA 8763 A-1 O
  • Matrix / Runout (Side 2): SYLA 8763 B-2 O

Other versions

Category Artist Title (Format) Label Category Country Year
7E-1051 Joni Mitchell The Hissing Of Summer Lawns ‎(LP, Album, SP) Asylum Records 7E-1051 US 1975
1051-2 Joni Mitchell The Hissing Of Summer Lawns ‎(CD, Album, RE, RM) Asylum Records 1051-2 US 1990
1051-2 Joni Mitchell The Hissing Of Summer Lawns ‎(HDCD, Album, RE, RM) Asylum Records 1051-2 US Unknown
K 53018 Joni Mitchell The Hissing Of Summer Lawns ‎(LP, Album, RE) Asylum Records K 53018 Germany Unknown
53018, AS 53018, 7E-1051 Joni Mitchell The Hissing Of Summer Lawns ‎(LP, Album, Gat) Asylum Records, Asylum Records, Asylum Records 53018, AS 53018, 7E-1051 Netherlands 1975
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Comments:
Clonanau
One of THE great unappreciated albums of the 70's (or dare I say, of all time?). Some say you need to know her early work but you can come to this album from anywhere. When I first heard this Punk was emerging & as much as I loved punk it could never push this music out of my mind. I had never heard any of her early LP's & although everyone knew her pop songs from the radio, this was something new & strange. Very smooth, lush, "state of the art" U.S. recording, not to the average rock fan's taste for sure but it repays repeated listening. The brilliant lyrics are beautifully descriptive & underneath the glare of California sun they draw dark pictures of women from youth to middle age. Women as objects of men's desires, as objecting to & complicit in their own domestic & male society's imprisonment; sensual, frustrated, desperate, angry, scornful, dissenting. Apart from the opening track - very much typical slightly OTT "FM" radio fare of the time but perhaps representing "youth", the music conjures huge vistas. Drums pound through the jungle. Melodies are long & meandering, Mitchell's voice clear & fluid, jazz inflected, the guitars & horns swoop & shimmer, Hollywood-esque orchestrations flower & fade, piano's punctuate the spaces & Mitchell's subtle guitar underpins everything, until the final strange synthetic "Darkness & Light". Soul Music. Not the hollerin' chest-beating sort but soul music nonetheless. Everyone should have a copy. And listen to it. A lot.

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