Bootlegs exist because WE NEED to hear every single live moment or rehearsal or demo from our beloved artists. That's why we pick them and we "collect" them for the very same psychological reason someone becomes a collector. My point is that if someone (probably the artist or his representatives) blocks a bootleg release MUST replace it with the original release of the same art-event. In different case, the artist blocks the history of music to be revealed and hides his artistic self from us. This is as a bad behaviour as the hunger of the bootleggers for easy money, I tent to believe.

King Crimson Live at Concertbouw, Amsterdam, Holland, November 23rd, 1973 See also King Crimson - Un Rêve Sans Conséquence Spéciale http://www.discogs.com/release/2529193 King Crimson - Live In Holland http://www.discogs.com/release/2530867 King Crimson - Book Of Saturday http://www.discogs.com/release/2529239 King Crimson - Lament http://www.discogs.com/release/2530963 King Crimson - 21st Century Schizoid Man http://www.discogs.com/release/2531697 King Crimson - Amsterdam 1973 http://www.discogs.com/release/2531701 King Crimson - Cloudy Air http://www.discogs.com/release/2531703 King Crimson - Songs For Europe http://www.discogs.com/release/2531704 King Crimson - 21st Century http://www.discogs.com/release/2531708 Partially King Crimson - "Doctor D" Atlanta 6/23/73 http://www.discogs.com/King-Crimson-Doctor-D-Atlanta-62373/release/1258902