Various, New Wave, 1976, US

Various - Live At CBGB's - The Home Of Underground Rock mp3 download flac

Rock

Performer: Various
Genre: Rock
Album: Live At CBGB's - The Home Of Underground Rock
Released: 1976
Style: New Wave

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MP3 version ZIP size: 1912 mb
FLAC version RAR size: 1218 mb
WMA version ZIP size: 1371 mb

Rating: 4.1
Votes: 653
Other Formats: VOC AHX MOD XM AIFF VQF AUD

Tracklist Hide Credits

A1	–Tuff Darts	All For The Love Of Rock 'N' Roll Bass Guitar – John DeSalvo Drums – James Morrison Guitar – Bobby ButaniLead Guitar – Jeff SalenVocals – Robert Gordon	3:15
A2	–The Shirts	Operetico Bass Guitar, Vocals – Robert RacioppoDrums, Timbales, Congas – John CriscioneKeyboards – John PiccoloLead Guitar, Vocals – Artie Lamonica, Ronnie ArditoVocals – Annie Golden	4:26
A3	–Mink DeVille	Cadillac Moon Bass Guitar – Ruben SiguenzaDrums, Vocals – Manfred JonesGuitar, Lead Vocals – Willy DeVilleKeyboards – Ritch ColbertLead Guitar, Vocals – Louie "Uptown" Erlanger	6:42
A4	–The Laughing Dogs	I Need A Million Bass Guitar, Vocals – Ron AltavilleDrums, Percussion – Skip ReedGuitar, Vocals – Jimmy AccardiKeyboards, Guitar, Vocals – Jimmy Cathcart*	3:10
B1	–The Shirts	Poe Bass Guitar, Vocals – Robert RacioppoDrums, Timbales, Congas – John CriscioneKeyboards – John PiccoloLead Guitar, Vocals – Artie Lamonica, Ronnie ArditoVocals – Annie Golden	5:12
B2	–Mink DeVille	Let Me Dream If I Want To Bass Guitar – Ruben SiguenzaDrums, Vocals – Manfred JonesGuitar, Lead Vocals – Willy DeVilleKeyboards – Ritch ColbertLead Guitar, Vocals – Louie "Uptown" Erlanger	2:51
B3	–Tuff Darts	Head Over Heels Bass Guitar – John DeSalvo Drums – James Morrison Guitar – Bobby ButaniLead Guitar – Jeff SalenVocals – Robert Gordon	2:22
B4	–Manster	Over, Under, Sideways, Down Bass Guitar – Thomas GiordanoDrums – John FehlingGuitar – Al Hertzberg, Robert HertzbergVocals – Warren Stahurski	4:16
C1	–Manster	I'm Really Not This Way Bass Guitar – Thomas GiordanoDrums – John FehlingGuitar – Al Hertzberg, Robert HertzbergVocals – Warren Stahurski	4:16
C2	–Sun	Romance Bass Guitar – Clyde IsomDrums – Timmy HollansLead Guitar – Randy FredrixVocals – Nikki Buzz*	5:00
C3	–Stuart's Hammer	Everybody's Depraved Bass Guitar – Mike InsettaDrums – Steve PellegrinoKeyboards [Fender Rhodes] – Steve EversVocals – John PlackoVocals, Guitar, Mandolin – Thomas CartwrightVocals, Lead Guitar – Jordan H. Chassan*	3:19
C4	–The Miamis	We Deliver Bass Guitar, Vocals – Dale Powers Drums, Vocals – Georgie DayGuitar, Vocals – Jimmy Wynbrandt, Tommy WynbrandtKeyboards, Vocals – Tom Mandel*	2:10
D1	–Mink DeVille	Change It Comes Bass Guitar – Ruben SiguenzaDrums, Vocals – Manfred JonesGuitar, Lead Vocals – Willy DeVilleKeyboards – Ritch ColbertLead Guitar, Vocals – Louie "Uptown" Erlanger	3:38
D2	–The Shirts	A.V.M. Bass Guitar, Vocals – Robert RacioppoDrums, Timbales, Congas – John CriscioneKeyboards – John PiccoloLead Guitar, Vocals – Artie Lamonica, Ronnie ArditoVocals – Annie Golden	6:24
D3	–The Laughing Dogs	It Feels Alright Tonight Bass Guitar, Vocals – Ron AltavilleDrums, Percussion – Skip ReedGuitar, Vocals – Jimmy AccardiKeyboards, Guitar, Vocals – Jimmy Cathcart*	2:24
D4	–Tuff Darts	Slash Bass Guitar – John DeSalvo Drums – James Morrison Guitar – Bobby ButaniLead Guitar – Jeff SalenVocals – Robert Gordon	3:26

Companies, etc.

Recorded At – CBGB
Mixed At – Secret Sound
Mixed At – Plaza Sound Studios
Mastered At – Atlantic Studios
Pressed By – Presswell

Credits

Engineer [Assistant] – Fred Lang
Engineer [Recording], Engineer [Mix] – Kim King
Mastered By – Dennis King
Photography By [Front And Back Cover] – Lisa Kristal
Producer – Craig Leon, Kim King
Sleeve Notes – Hilly Kristal

Notes

This record album is an anthology of what I believe to be the most exciting "live performances" captured, from a selection of the important bands who have been playing CBGB's in 1975 and 1976 - Hilly Kristal

Recorded June 4, 5, 6, 1976 at CBGB &OMFUG, 315 Bowery, N.Y., N.Y. 10003

Barcode and Other Identifiers

Matrix / Runout (Label side A): SP-A-763699-PR
Matrix / Runout (Label side B): SP-A-763700-PR
Matrix / Runout (Label side C): SP-A-763701-PR
Matrix / Runout (Label side D): SP-A-763702-PR

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
P-6303	Various	Live At CBGB's - The Home Of Underground Rock ‎(2xLP, Album, Promo)	Atlantic	P-6303	Japan	1976
SD 2-508	Various	Live At CBGB's - The Home Of Underground Rock ‎(2xLP, Album, MO)	Atlantic	SD 2-508	US	1976
SD 2-508	Various	Live At CBGB's - The Home Of Underground Rock ‎(2xLP, Album, RI)	Atlantic	SD 2-508	US	1976
2SA-508	Various	Live At CBGB's - The Home Of Underground Rock ‎(2xLP, Album, Gat)	Atlantic	2SA-508	Canada	1976
K 60123	Various	Live At CBGB's - The Home Of Underground Rock ‎(2xLP, Comp)	Atlantic	K 60123	UK	1976

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Comments:

Contancia

"Live at CBGB's" is a fascinating relic of the mid-'70s New York underground rock explosion that soon became tagged with the woefully underdescriptive sobriquet "punk". True, the club's first-tier bands (Television, Patti Smith, Ramones, Talking Heads, Blondie, et al.) are nowhere to be found on this comp, and there's a very good reason for that: they had already been signed to record deals. The purpose of "Live at CBGB's" was to showcase unsigned bands, and there's some fantastic material here.Let's get the substandard stuff out of the way first: you can skip Stuart's Hammer, the Miamis and, yes, Tuff Darts. 'All for the Love of Rock 'n' Roll' is an adequate song, but these guys were trying way too hard to live up to the punk stereotype and it just comes off as silly. Falling somewhere in the middle are Sun, whose one track is a little rough around the edges but has muscular energy to spare, and the eclectic Laughing Dogs. The standouts are Mink DeVille, who rock with a brash, authentic street feel (in contrast to the labored approach of Tuff Darts), the Shirts (it's a joy to behold Annie Golden's voice soaring over the giddy clash of instruments on 'Operetico', a minor masterpiece) and my personal favorite, Manster (who achieve something genuinely disturbing on 'I'm Really Not This Way').What became known as punk always had a broader range than three chords, and the proof can be heard on this album. (Great live sound, by the way, especially compared to other iconic punk live recordings like "Live at the Roxy": listen to it through headphones.) Three and a half stars.

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