A truly amazing mixture of Mancini-esque jazzy energy, Jobim and the omnipresent Kraftwerkian coldness, fitting into post-punk just perfect - further blending Marine Girls' established lazy calm and announcing the trend of groups like Matt Bianco, Everything But the Girl or Swing Out Sister, Antena produced a funny, amusing electro-samba cocktail - equally naive and just as damn well creepy.To start with the most obvious, just check both - the audio and the hillarious video for 'The Boy From Ipanema' and there'll be goosebumps - amazing what can be done with a single line from the original song, transformed into a repetitive yet irresistibly dynamic cover, which makes it a standard all of its own. Perverted by a vodocer, adding 'insult to injury' to the very title (Antena's version is supposed to be a reference to a transvestite), 'The Boy From Ipanema' is a spooky rendition as if made by aliens, accidentally stuck on the Brazillian shore due to a rocket crash, and while awaiting their technical recovery, the trio discovers the charm and immediately falls in love with the exotic, newly found environment. Of course, many would refer to this - a deserved favourite by the group - as their sole success (most notably for the fact, John Foxx and Gareth Jones assisted the trio with production duties), but gems like 'Bye Bye Papaye', 'Seaside Weekend' (pretty inspiring for a certain Basia Trzstrzselewska, and a little later reconstructed by Isabelle Powaga herself), 'Noelle a Hawaii', the adorable 'Les Demoiselles De Rochefort', the title song ('Camino del Sol'), 'Achilles', 'Frantz' and especially additional pieces like 'Joppo & Eno' or 'On the Boat' all present a stunning scream for listeners' attention.Listening to Antena, one is also impossible to shake off the impression this is Stereolab years too early. The voices are very smooth, seducing and erotic in all their naive charm and make this whole collection even more desirable (and highly recommended). Thank you LTM. This is bliss.