Catapilla - Changes mp3 download flac

Rock

Performer: Catapilla
Genre: Rock
Album: Changes
Released: 1972
Style: Jazz-Rock, Prog Rock

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Tracklist Hide Credits

Companies, etc.

• Phonographic Copyright (p) – Vertigo
• Copyright (c) – Repertoire Records
• Published By – Excellency Music
• Glass Mastered At – DADC Austria

Credits

• Design [Designed By] – Martin Dean*
• Drums – Brian Hanson
• Electric Bass – Carl Wassard
• Guitar – Graham Wilson
• Liner Notes – Mark Brennan
• Lyrics By [Lyrics On All Tracks Written By] – Anna B. Meek*
• Organ, Electric Piano – Ralph Rolinson
• Other [Titles By] – George Wlozdzimier Borkowski
• Producer – Colin Caldwell
• Soprano Saxophone [Electric And Acoustic], Alto Saxophone [Electric And Acoustic], Tenor Saxophone [Electric And Acoustic] – Robert Calvert
• Vocals – Anna Meek

Notes

Barcode and Other Identifiers

• Barcode (Text): 4 015689 020108
• Barcode (Scanned): 4015689020108
• Matrix / Runout (Mirrored): GTR-010 12 A2 MASTERED BY DADC AUSTRIA
• Rights Society: GEMA
• Label Code: LC 8065

Other versions

Cerana

The nucleus is intact and with different sidemen Catapilla ploughs ahead on the scary musical road they chose for their own. Exorcising and often wordless vocals by Meek still dominate the soundscapes, as do Calvert's ubiquitous saxes, frequently two at the time. No concessions to sales figures anywhere in sight, the music aims at spiritual cleansing. A lot of echo, a lot of overdubs and long, long tracks govern the style. At times this leads to gaps in the tension, but when it gels it's downright chilling.Best features are the silent passages after wild orgies of sound, that work like sanctuaries after some cosmic ordeal, like the end of Reflections will easily prove to you. Also noteworthy: the strange mixture of slow hard-rock and Eastern melodies on Thank Christ for George, as well as the unexpected tranquillity of the closing track. Unique sounds that make for uneasy but rewarding listening.

Daizil

Having just listened to the album, I agree with the above entirely. I enjoyed Changes far more than the first LP as Anna Meek's change in vocal style, to my ears, was much more interesting and suited to her. A few hints of Gilli Smyth in places? Good stuff