Do Make Say Think - Goodbye Enemy Airship The Landlord Is Dead

Do Make Say Think - Goodbye Enemy Airship The Landlord Is Dead mp3 download flac

Performer: Do Make Say Think
Genre: Rock
Album: Goodbye Enemy Airship The Landlord Is Dead
Released: 2000
Style: Post Rock, Indie Rock

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MP3 version ZIP size: 1326 mb
FLAC version RAR size: 1735 mb
WMA version ZIP size: 1229 mb
Rating: 4.8
Votes: 912
Other Formats: MP1 VOC VOX AA AUD DMF WMA

Tracklist

1 When Day Chokes The Night 6:38
2 Minmin 8:23
3 The Landlord Is Dead 5:39
4 The Apartment Song 3:52
5 All Of This Is True 7:46
6 Bruce E Kinesis 3:39
7 Goodbye Enemy Airship 12:37

Companies, etc.

  • Recorded At – CUIT Radio
  • Mixed At – D.A.V.E. Audio

Credits

  • Artwork [Front Cover] – Stephan Pilipa
  • Bass, Guitar, Trumpet – Charles Spearin
  • Drums – David Mitchell*, James Payment
  • Guitar – Justin Small
  • Guitar, Bass, Saxophone, Flute – Ohad Benchetrit
  • Keyboards, Effects – Jason MacKenzie
  • Photography By [Front Cover] – Stephanie Small
  • Recorded By, Mixed By, Mastered By – Charles Spearin, Ohad Benchetrit
  • Sequenced By [Additional] – Harris Newman
  • Written-By, Performer – Do Make Say Think

Notes

Issued in a die-cut cardboard sleeve.

"Goodbye Enemy Airship" and "The Apartment Song" were recorded at CUIT radio in Toronto, December 1998. All other tracks were recorded at Jason's grandparents' barn on the weekend of August 1st, 1999 near Port Hope, Ontario, and mixed over two weekends in September 1999 at D.A.V.E. in Toronto.

Barcode and Other Identifiers

  • Matrix / Runout: 1XK61315716CST101
  • Mould SID Code: IFPI8109
  • Barcode (Sticker): 666561001025

Other versions

Category Artist Title (Format) Label Category Country Year
cst 010 Do Make Say Think Goodbye Enemy Airship The Landlord Is Dead ‎(LP, Album) Constellation cst 010 Canada 2000
cst010 Do Make Say Think Goodbye Enemy Airship The Landlord Is Dead ‎(CD, Album) Constellation cst010 Canada 2000
cst010 Do Make Say Think Goodbye Enemy Airship The Landlord Is Dead ‎(CD, Album) Constellation cst010 Canada 2000
Video:

Comments:
Enila
this is the disc where they first defined themselves as something a little bit out of the ordinary and cemented themselves as an act that was worth paying attention to.sharing a label with godspeed you black emperor brought a lot of fans out to their shows, including myself, who simply assumed that they would be brilliant by association. this initially cast sort of a shadow on the band, which unfortunately delegated them as a sort of "minor-godspeed" with horns in place of strings, the "jazz godspeed" if you will. while this ultimately worked in the band's favour, the band very quickly broke out of this pigeonhole. there are certainly aesthetic similarities that may dominate upon the first listen or two but the connection is more reducible to the genre being relatively novel. to be clear, all of this music ultimately traces back to a composer from new york by the name of glenn branca who wrote massive "guitar symphonies", but they generally tended to come out sounding messy and awkward, more like early sonic youth than like the tight, polished products that started coming out of canada in the mid-90s. it won't take more than two listens to conclude that do make say think and godspeed you black emperor do not sound remotely similar at all.the tracks on the first disc were loose, wandering jams that rarely had a driving force. most of these tracks are driven by interlocking "angular" guitar parts that eventually build upon themselves into thick crescendos that climax with driven effects pedals, blaring horn parts and independent dual drum parts, generally split into left and right channels. the interlocking guitars, which often also interlock with bass parts into something that is best labelled as counterpoint, split the disc into very structured movements.today's music theory lesson is in voice leading. voice leading is about ensuring that independent notes by independent musicians playing independent instruments converge to construct logical chord progressions. it is the deep secret of do make say think's ability to produce swirling soups of overtones that sound more like an orchestra than like a five-piece band jamming in a barn - and, yes, the legends are true, this was recorded in a barn. now, the thing about voice leading is that it's a double-edged sword. first, it ensures that the songs sound "correct" to western ears. second, it gives the artists the ability to tear the whole thing down at a moment's notice and produce the most dissonant sounding disaster that you've ever heard. these moments coincide with the climaxes at the top of the crescendos, and are either articulated with trumpets screwing around in quite purposefully completely out of key modes or with heavily distorted electric guitars bending and tremoloing rusty strings into microtonal oblivion, all fused together in sporadically modulating, if fairly standard, time signatures.the flow on the disc is also something to point out. the songs seem to have been segued together in such a way as to eliminate any kind of empty space, which is likely what harris newman is credited for in the liner notes. this gives the disc the feel of a large work, and it is indeed constructed like one.there are some records that are central to musical climates and will forever be inseparably tied to genres, eras and geography. this is one of them; it defines post-rock in southern ontario c. 2000 like perhaps no other.

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