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A1	–Martin Bartlett	Recalcitrant Electronics
A2	–David Rosenboom	On Being Invisible (Excerpt)
A2	–David Rosenboom	Study For Zones
A4	–Doug Collinge and Stephen Parkinson	Audience-Sensitive Sound Installation
A5	–Michael Zagorski	Sound Examples From The Article Stochastikhos
B1	–Jim Montgomery	Wildfire (Excerpt) Cello – Dick Armin*Viola – Paul ArminViolin – Adele Armin
B2	–Unknown Artist	6 Volt AC/DC Adaptor Hum
B3	–Daniel Scheidt	On Hearing (Excerpt) Synthesizer [Computer-controlled Digital] – Daniel Scheidt
B4	–Henry Kaiser	Serenade (Excerpt) Electric Guitar [Solo] – Henry Kaiser
B5	–Martin Bartlett	New Leaves (Excerpt)
B6	–Susan Frykberg	Machinewoman
B7	–Martin Bartlett	Response (Excerpt) Trumpet – Louis Ranger

Credits

• Compiled By – John Oswald, Linda Smith*, Tina Pearson
• Edited By, Other [Manufactured By] – John Oswald
• Other [Editorial Assistance] – Linda Smith

Notes

Contains various sound environments, conversations, and synthesized texts produced by John Oswald, Tina Pearson, Linda Smith, and other sound artists.

Track A1 via Vancouver/Toronto telephone conversation.
Track A2 from Music Gallery Editions-4 recording (out of print) of performance at Music Gallery, Toronto, Feb. 12, 1977.
Track A3 recorded and produced at the Ontario Science Center's Computer Music Studio, 1984.
Track A4 samples of sounds produced by 2 people moving on the sound mats.
Track A5 from the psychoacoustic laboratory at Memorial University, Newfoundland.
Track B1 composed special for the Armin string trio and RAAD instruments, performed June 9, 1984 at Harbourfront, Toronto.
Track B3 excerpt from an improvisation.
Track B4 from the record Outside Pleasure, MLIII, Metalanguage.
Track B7 performed at University of Victoria BC, 1980.

This cassette is a supplement to issue 28 of Musicworks magazine.