Can you say, "Monster Library"? For the classical lover, this album delivers a great experience. The fact that it features intricately programmed electronic synthesizers is just like the icing on the sound cake. Fabor shows his excellent grasp of classical music and every track is an adventure in sound. I love electronic instruments being used in a classical style, as it just makes the music a bit more surreal and other-worldly. In this case, they are so subtly programmed and used in a very precise and often slightly understated-yet-just-the-right-amount form, that it really adds to the overall atmosphere. Lovely.This album reminds me a bit of the equally excellent Franco Tamponi LP on the Flower label - "Synthesizer Baroque Concerto". Pick both of them up if you can and sit back, relax and enjoy the classical moves of these great Italian composers!

This is written on the back cover by Borgazzi aka Fabio Fabor himself. Translated with Google translation (some mistakes, obviously).Why " Elektro- Baroque " ? The stimulus always fascinating reinvention of not only formal but also voiced inspired me to revisit the Baroque serving me an unusual mixture , acoustically closest to the sounds of our time. I took so propose an instrumental contamination by marrying the traditional electronics, using real sound sources (flute , oboe, harpsichord ) in conjunction with various waveforms quarzate but that could be the most "historically" is compatible with the instruments themselves that with the music stylistically center on millesei - millesette : Baroque fact.The two sides differ greatly not only in the thickness Noise : the "A" and decidedly orchestral imprint Vivaldi , while the "B" and especially solo duettistica characterized by a strong Bach's. - F. B.