Most of this album is in the style of the later Yellow Magic Orchestra or Yukihiro Takahashi's solo work, mostly synth backing with Yukihiro's signature drumming style and some nice fretless bass in places - meaning it sounds very much of it's time and that's no bad thing. The songs are mostly co-written by either Takahashi, Hosono or Keiichi Suzuki (all credits appear in Japanese).