The Grateful Dead - Anthem Of The Sun

The Grateful Dead - Anthem Of The Sun mp3 download flac

Performer: The Grateful Dead
Genre: Rock
Album: Anthem Of The Sun
Released: 1968
Style: Psychedelic Rock

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MP3 version ZIP size: 1758 mb
FLAC version RAR size: 1486 mb
WMA version ZIP size: 1212 mb
Rating: 4.8
Votes: 537
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Tracklist

That's It For The Other One
A1.1 Cryptical Envelopment
A1.2 Quadlibet For Tender Feet
A1.3 The Faster We Go, The Rounder We Get
A1.4 We Leave The Castile
A2 New Potato Caboose
A3 Born Cross-Eyed
B1 Alligator
B2 Caution (Do Not Stop On Tracks)

Companies, etc.

  • Distributed By – Pye Records (Sales) Ltd.
  • Printed By – Garrod & Lofthouse Ltd.
  • Made By – Garrod & Lofthouse Ltd.
  • Published By – Ice Nine Publishing Co.
  • Published By – Ice Nine Publishing
  • Recorded At – RCA Studios, Hollywood
  • Recorded At – American Studios, No. Hollywood
  • Recorded At – Century Sound Studios
  • Recorded At – Olmstead Studios
  • Recorded At – Shrine Exposition, L.A.
  • Mastered At – Columbus Recorders, San Francisco
  • Mixed At – Columbus Recorders, San Francisco
  • Mastered At – Apostolic Studios
  • Mixed At – Apostolic Studios
  • Mastered At – Criteria Recording Studios
  • Mixed At – Criteria Recording Studios
  • Lacquer Cut At – Pye Studios

Credits

  • Art Direction – Ed Thrasher
  • Bass, Trumpet, Harpsichord, Guiro, Kazoo, Piano, Timpani – Phil Lesh
  • Cover, Artwork – Bill Walker
  • Drums, Bells [Orchestra], Gong, Chimes, Crotales, Piano [Prepared], Finger Cymbals – Bill Kreutzmann, Mickey Hart
  • Engineer [Asst.] – Bob Mathews*
  • Engineer [Executive] – Dan Healy
  • Lacquer Cut By – G*
  • Lead Guitar, Acoustic Guitar, Kazoo, Vibraslap – Jerry Garcia
  • Organ, Claves [Celesta] – Ron McKernan*
  • Photography By [Liner Photo] – Thomas Weir
  • Piano, Piano [Prepared], Tape [Electronic] – Tom Constaten*
  • Producer [Studios And Live] – Dave Hassinger
  • Rhythm Guitar, Twelve-String Guitar, Acoustic Guitar, Kazoo – Bob Weir
  • Written-By, Arranged By, Producer – The Grateful Dead

Notes

Original 1st UK issue release with orange Warner Bros. label.
Comes in a front-laminated flipback sleeve.

Printed and made by Garrod & Lofthouse Ltd. Patents pending

That's It For The Other One; Part 'A1.4 We Leave The Castile' is listed on label but completely missing from back liner track song titles.
There are no track timings.

[Label]
Ⓟ 1968
Ice-Nine Pub. Co.
[Cover]
Ice-Nine Pub. BMI

Studios:
Sept. '67 - RCA Studio A, Hollywood
Oct. 67 - American Studios, No. Hollywood
Dec. '67 - Century Sound, New York / Olmstead Studios, New York
Live:
11/10-11/67 Shrine Exposition, L.A.
Stereo Mix Mastering:
Columbus Recorders, San Francisco
Criteria Studio, Miami
Apostolic Studios, New York

Barcode and Other Identifiers

  • Matrix / Runout (Side A, label): WS.1749.A
  • Matrix / Runout (Side B, label): WS.1749.B
  • Matrix / Runout (Side A, runout stamped): WS 1749A-1 ✳G STEREO
  • Matrix / Runout (Side B, runout stamped): WS 1749B-1 ✳G STEREO
  • Matrix / Runout (Sides A & B, runout etched): KT

Other versions

Category Artist Title (Format) Label Category Country Year
WS 1749 The Grateful Dead Anthem Of The Sun ‎(LP, Album) Warner Bros. - Seven Arts Records WS 1749 US 1968
R2-564265 Grateful Dead* Anthem Of The Sun ‎(2xHDCD, Album, Dlx, RE) Rhino Records , Warner Bros. Records R2-564265 US 2018
7599-27173-2 The Grateful Dead Anthem Of The Sun ‎(CD, Album, RE, RM) Warner Bros. Records 7599-27173-2 Europe Unknown
7599-27173-2 The Grateful Dead Anthem Of The Sun ‎(CD, Album, RM, RP) Warner Bros. Records 7599-27173-2 Europe Unknown
JPCD 2000211 The Grateful Dead Anthem Of The Sun ‎(CD, Album, Unofficial) Grammy JPCD 2000211 Russia 1998
Video:

Comments:
Samugor
The note below is taken from a different Discogs entry that pertains to this release (orange label, UK first pressing): willyrobinson August 1, 2011The notes should read "Original release with the ORANGE Warner Bros label" (for some reason on this record it's more red than orange)The first UK release was [made and] distribited by Pye Records in London, presumably up until this agreement ended sometime in 1971 when the Kinney corporation entered into a joint distribution and pressing deal with CBS, and the album was then pressed with the green label with the Kinney number K 46021 in the dead wax.In common with other orange label releases and other UK releases of Warner seven arts/reprise/Elektra albums at the time, the original UK pressing sounds (to my ears) superior to the origanal US green label pressing in terms of clartity and texture and focus. There are a number of reasons why this may be the case, but I suspect it's not so much an EQ issue as a phasing issue - I suspect the US masters may have been processed in some way using the Haeco-csg device in order to sound better on AM radio. The difference is staggering rather than subtle, with the UK release so much more alive-sounding. Sometimes though, because these orange label pressings were so heavy they were prone to non-fill on track one of either side.Jerry Garcia himself was very disappointed with the [US] pressing: "Our first stereo master tapes preserved some of that quality when you had a good enough playback system to really hear; but everything that happened to it after that, the mastering - all of the things we didn't know about, the part about making discs which we neglected to learn about - that part of it, that was how we found out what doesn't go on a disc. So it was disappointing to us when the disc came out and it sounded muddy and it was terrible and we couldn't understand that all the stuff that - y'know all the stuff that we had put together so carefully didn't really get accross." (Interview - Anthem to Beauty)It appears the early UK pressings may have escaped the texture-stripping phase treatment (or whatever it was), but later UK pressings with the Kinney number on the cover sound similar to the US pressings.The album was later remixed in the early 1970s (I believe by the bass player Phil Lesh), but that's a totally different release, with different instruments in different channels, and sometimes different source material used.

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